Plug-in automation makes this very easy to do using plug-ins. A popular dub trick is to keep adjusting the delay feedback level so that it starts to build up, then, just as it threatens to get out of control, the feedback level is reduced again. The feedback gain must be less than unity, however, otherwise the echoes will build up in level rather than decaying, resulting in an uncontrollable howl. Mixing the delayed sound with the original signal produces a single repeat following the original sound, but feeding a percentage of the delayed signal back to the input produces a repeating echo effect, where each subsequent echo is a little quieter than the previous one. A signal is passed through a memory buffer, where it is delayed for a short time and then sent to the output. The concept behind a digital echo device is quite simple.
Another thing that plug-ins do well is synchronise to the tempo of the host software, so setting up delays that run exactly in time with the music has never been easier. This is relatively easy to do in the case of plug-ins, where extra controls don't add to the manufacturing cost. The trouble was that once we'd got this degree of technical perfection, we realised it didn't sound as 'musical' as our old tape echo units, so before long designers started to think up ways to add in the distortion and pitch wobble that characterised the tape echo sound. Ironically, we all used to complain about tape echo units - they never ran at a steady speed, so the pitch wavered, and the delays weren't as bright or as clean as the original sound, so the repeats became progressively more distorted and distant.Īfter a brief flirtation with analogue 'bucket brigade' echo devices (which sounded rather dull), the DDL (Digital Delay Line) arrived on the scene, and finally delivered what we'd all been asking for - rock-solid, clean repeats. Until the invention of the tape-loop echo box, delay meant nothing to a musician other than a drummer turning up late, but once it had appeared there was no going back, and the effect soon became part of pop culture. Today we're exposed to so many sophisticated studio effects, both as hardware and in the form of plug-ins, that digital delay can seem a little tame, but in reality it's still one of the most commonly used effects after reverb. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.
SIMPLE DELAY SYNC SOFTWARE
NOTE: RADIOSYNC WILL WORK ONLY when your radio broadcast is ahead of your television broadcast, which is generally true.Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. Although syncing a sports broadcast is the most likely reason to use RadioSync, you can use it to sync any live event that is broadcast on both television and radio. Featuring simple, intuitive controls and a pleasant design, RadioSync gives you the power to synchronize your favorite football, basketball, soccer, baseball, hockey, or any other sports team broadcasts. RADIOSYNC ALLOWS YOU to delay a radio broadcast to match a television broadcast.
SIMPLE DELAY SYNC TV
Use your iPhone, iPod, or iPad to synchronize your radio with your TV for live events!ĭO YOU LOVE your local sports radio announcers so much that you listen to the radio while watching the game on TV? Does it drive you and your loved ones crazy when the radio play-by-play comes seconds before the delayed TV signal? Sports fans rejoice: RadioSync is here! Refer to our support website for instructions:
Do not purchase this app unless you already have the necessary adapters or are willing to buy them. This requires additional third-party adapters for your iPhone, iPod, or iPad.
You must connect your own radio tuned to the desired broadcast and your own headphones or speakers through which the delayed audio will be played. It does not provide sports radio audio streams. IMPORTANT: RADIOSYNC IS A SIMPLE AUDIO DELAY APP.
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